One of the things that social and cultural research on touch attempts to grapple with is everything people are supposed to touch and not supposed to touch—and what we actually end up touching or not touching in any given situation. When I first saw Sameer D’Costa’s photo on Flickr, it reminded me of people’s desire to touch things that we aren’t supposed to, and I wondered what that might mean in terms of research.

A year later we’re excited to share the result of that wondering: re/touch, an online resource for designers and researchers interested in touch-based interactions and relations. As the action of touch is technologically mediated by both contactless interactions in the world and through multi-touch on screen, awareness and reflection on the richness of touch is becoming increasingly important.

The re/touch website

re/touch brings together hundreds of cross-cultural examples of social norms and values involving touch—all categorised according to actions related to touching.

A collection of quotes from ethnographic accounts written between the late 1800s and the present, re/touch encourages designers and researchers to explore how touch is used by people to relate to one another and the worlds in which we live.

You can browse the quotes to create design briefs, refine interaction scenarios or otherwise inspire you to think, make or do things touch-related.

About the project

We like to think of re/touch as a work-in-progress. So far, it contains almost five hundred quotes from dozens of cultural groups around the world, and we’re working to add more. As the collection grows, we expect the action tags to change as well, so over the next couple of months you may notice different words in the tag cloud. In the end, we anticipate having over one thousand quotes and more than fifty categories of touch-related action.

The re/touch website also includes some background information on the content, and we plan to publish a paper on the research methodology and some thoughts on collaborations between anthropology and design.

If you notice any database problems or errors, please leave a comment below and we’ll look into it. We’re also still working on the web design—including making the site work well and look good on the iPhone—so we’d certainly appreciate any feedback you might have along those lines as well.

Ultimately, we hope you’ll find this resource as interesting and inspiring as we do!

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Three recent Touch projects suggest different senses as metaphors for physical RFID interaction:

Silje Søftings Pling Plong project uses an eye as the ‘reader’ of audiobook tokens.

Bilal Chaudhry & Marius Johansen’s project Le Chef uses a huge tongue giving the appearance that the chef character is tasting the food tokens that are placed on it.

Sara Johansson’s Sniff project uses the nose of a toy dog as the reader, giving the impression that the dog is sniffing token objects.

Are these other human senses more successful than touch in creating the right kind of metaphors for RFID interaction? Can we use human senses as metaphors to create a richer design space for RFID, or does the inspiration have to come from somewhere else?

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